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Fringe

Yianni: Numb and Number

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The free fringe tends to be something of a lottery, welcoming uncertified and invariably inexperienced performers holds an obvious and inherent danger. Consequently, when you stumble upon an act of real quality, the satisfaction feels somehow amplified. Yianni’s Numb and Number, is just such and act.

Inspired by Yianni’s recent discovery that he may be mildly autistic (the reason for his ‘mild’ mathematical genius), this is ostensibly a show about the performers love of numbers. A curious choice for comedy subject matter perhaps, but those of an arithmaphobic disposition ought not to feel discouraged, this is no maths lesson.

Last Updated on Friday, 31 August 2012 11:39 Read more...
 

Centralia

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Deeply inventive and deftly performed, Centralia is a captivating piece of comic theatre. Essentially a play within a play, Maria Askew, Frode Gjerlow and Simon Maeder  masquerade as the three remaining inhabitants of the non-fictional American ghost-town, Centralia, evacuated due to a continuous and hazardous subterranean mine fire.

In this pretence the trio have scrimped and saved in a desperate effort to bring the story of their plight all the way over to the “Edinboro' Festival.”

Last Updated on Friday, 31 August 2012 11:39 Read more...
 

Wonderland

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altGrimy and gripping, Wonderland is an example of what Scottish theatre does particularly well – overcoming the limitations of the genre to create art with genuine impact.

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Tam O'Shanter

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Most tourists visiting Scotland will believe that in order to identify a true Scotsman you must briskly whisk up the back of their kilt to reveal a pair of hairy, sun-deprived buttocks. Where I grew up, there was a different test to find the truest of true Scotsmen, and that was in their ability to recite the longest Burns poem of them all, Tam O’Shanter.

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Set List: Stand Up Without The Net

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The Set List is a hilarious addition to the vast array of late night stand-up comedy variety performances.  As audience members take their seats, they have to fill pieces of paper with random suggestions.  These are then put into a box that goes onto the stage.  What makes this show original is the fact that all the comedians performing have to improvise.  The topics appear on a screen behind them and they have to include elements from the suggestions within the box.  You can tell that the comedians have not seen the topics before as a few misread the made-up words and then started to stumble over what to say. 

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Death Boogie

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A politically motivated musical fusing rap, hip hop, jazz, and beat poetry is an ambitious concept, and one that was always going to require a delicate level of execution. Unfortunately Darian Dauchan, backed by his accompanists on bass and violin, failed to make this a show of any lasting impression.

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Ian D. Montford: Unbelievable

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Before seeing this show I really had no clue of what to expect from Ian D Montford.  The idea of comedy and spirit mediums combined made me cringe a little bit, nonetheless I was intrigued.


Whilst queuing for the show we were handed a piece of paper to fill out – A dead celebrity’s name, your name and your deepest, darkest secret.  I was trying to imagine what Ian D. Montford could be like, I pictured a well-spoken, serious type in a suit – A Derren Brown alike.  However, I couldn’t have been more wrong.  Onto the stage came a flamboyant and extremely personable Ian D. Montford with a Northern accent, dressed a bit like Aladdin or a yoga instructor.

Last Updated on Monday, 27 August 2012 19:30 Read more...
 

Nikotine

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In this one-woman adaptation of Chekhov’s ‘On the Harmful Effects of Tobacco’, a puppet named Nikolai Nikotine, forced by his overbearing wife to deliver a lecture against smoking, digresses and complains, sings and dances, and teaches us more about the harmful effects of marriage than those of tobacco. The show definitely has its moments, but there are too many pacing problems for it to be as entertaining as it could.

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