Who gets to make art, to take up space, to command an audience, to have their work celebrated…? And at what cost? This is the central question at work in Adrienne Truscott’s and Brokentalkers' bold and beguiling piece of feminist meta-theatre.

Much of this year’s Fringe programme seems to be concerned with what theatre is. What are its boundaries? What does it ask of an audience, and what is promised in return?

Comedy is in Zach Zucker’s bones. By turns irresistibly charismatic and irrepressibly silly, he powers his way through slapstick, songs and everything in between in this high-kicking and high-octane hour.

Welcome to Stamptown, the grotesque and absurd late-night playground of Jack Tucker and friends.

A powerfully performed hour of storytelling, in which the audience are enticed to help writer and performer Sam Ward steer on a journey towards the end of civilization.

Daddy issues are nothing new, as this inventive take on Mary Tudor’s story makes clear. Here, Mary is depicted as a Gen Z Valley Girl.