Words: Rosie Hall
Image: Romany Gilmour

4 stars

Diana, Princess of Wales has long held a special place in queer popular culture for many. Her very real compassion and solidarity with the LGBT community during the AIDS crisis is key in this, yes; but her public image is perfect inspiration for camp tribute. The revenge dress! The bicycle shorts! The demure, yet mischievous side smile!

The latest in a series of Fringe shows taking inspiration from the People’s Princess is Don’t Tell Dad About Diana, a heartfelt and nostalgic Fringe debut. It centres teenage best friends Conor and Hannah in 1997 Dublin, as they perfect costumes and dance routines for the Alternative Miss Ireland competition at the George. Hannah manically choreographs and sews whilst Conor transforms into Lady Di herself, complete with backbends and a voluminous pixie-bob wig. They share secret dreams of taking their show to London and living together in a Chelsea penthouse, all the while hiding their efforts from Conor’s nationalist father. Here, the royalist undertones of their devotion to Diana becomes an effective method to explore the emotional turmoil of closeted queerness.

The on-stage chemistry of performers and writers Hannah Power and Conor Murray is apparent: the show fizzes with chaotic and youthful energy as the two concoct various hair-brained schemes. The show is stuffed with wonderful period-specific details, from candy-coloured hair clips to TV omnibuses to the inclusion of main rival Shirley Temple Bar, a real competitor in the Alternative Miss Ireland 1997.

Though the tension between Irish nationalism and love of Diana is posited as a potential key conflict, it feels a little under-explored. But, of course, the show isn’t really about Diana. It is, in fact, a love letter to chosen family, to DIY queer counter-culture, to doggedly following your dreams despite all that may stand in your way.

Don’t Tell Dad About Diana
Underbelly Cowgate Belly Dancer
12.50
31st Jul – 24th Aug