Words: Kiera Harper
Image: Myla Faith
4 Stars
Succubus’ quick wit lures you into the horrors to come. Mixing comedy with horror and a topical soundtrack, this new solo play captures a woman navigating her changing hormones, lifestyle and most of all, hunger. Georgina Collins, writer and performer of Succubus, leaves her soul, and others’ severed body parts, on the stage, demonstrating the consequences of not having your health taken seriously.
While on its surface, Succubus seems like a story of a man-eating monster, audiences will find deep humanity within. From today’s state of dating, the demonisation of women’s desires and the community that comes from embracing your true self, the writing is textured and filled with a complex outlook on a topic typically ignored: a woman’s changing body. Typically taboo, Succubus dives into this topic while interacting directly with the audience, leaving uncomfortable thoughts to sit in on the way home.
Although witnessing her crimes, the audience understands the Succubus’ hunger, desire and justification of her victims, almost causing them to agree with her. This is down to the Succubus, who is painted as a monster, actually being human and a physical embodiment of what so many of the audience members have and will go through. She holds our hands while showing what’ll happen if women continue to not be listened to, highlighting that a change in the system and self-acceptance is the only way out alive.
While it is a solo play, Succubus would be perfect with a bigger cast, allowing for smoother change in dialogue from character to character. The solo nature of the play allows for a deep connection with the audience, which would only be furthered by a larger production telling this current and much-needed story dedicated to anyone whose pain has been overlooked.
Succubus
Dexter at Underbelly, Bristo Square
16:15
5th – 16th August